| It doesn't look like the
nuns studying their map are being tempted by the charms of the Louisiana
pavilion. As this view shows, the exterior was a rather bland and
unattractive wall, with little to entice Fairgoers to drop by. The sign over
the entrance lost the world "Louisiana" during 1964, evidently as part of a
dispute with the original financial backers, and soon became just "Bourbon
Street". (CD1 Set 2 #12) |
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| By the end of the 1964
season the entrance had a more appealing look. Gone were the giant figures
and bland wall, replaced instead with facades reminiscent of New Orleans
architecture. Gone also was the sign area originally intended to list star
performers appearing at the pavilion, as sadly, this concept proved to be
unsuccessful from the first days of the Fair. (CD35 Set 179 #39) |
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| One of the first live shows
to close in 1964 was "America, Be Seated!", a lavish production from showman
Michael Todd, Jr. Todd had originally set out to create shows for the
Mississippi River Steamboat, which had been planned as a cruising attraction
on Meadow Lake. When the riverboat plans fell through, he moved the show to
the Louisiana pavilion. Unfortunately there was little there to attract
guests to his show and it quickly folded. After that the entertainment would
be far more modest, such as this group of musicians seen in 1965. (CD17 Set
89 #4) |
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| A young visitor sits for her
portrait. Black and white profile $3, color $5 - full face slightly extra. (CD17
Set 89 #3) |
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| The main attraction at the
Louisiana Pavilion was a variety of snack bars, restaurants and bars. The
latter made the area especially appealing at night. (CD35 Set 179 #37) |
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